Jumat, 30 November 2012

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Knight of the Black Rose, by James Lowder

  • Sales Rank: #6349758 in Books
  • Published on: 1991
  • Binding: Paperback

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Rabu, 28 November 2012

[Y114.Ebook] PDF Download Philadelphia, Here I Come! : A Comedy in Three Acts, by Brian Friel

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Philadelphia, Here I Come! : A Comedy in Three Acts, by Brian Friel

Fed up with the dreary round of life in Ballybeg, with his uncommunicative father and his humiliating job in his father's grocery shop, with his frustrated love for Kathy Doogan who married a richer, more successful young man and with the total absence of prospect and opportunity in his life at home, Gareth O'Donnell has accepted his aunt's invitation to come to Philadelphia. Now, on the eve of his departure, he is not happy to be leaving Ballybeg.

With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

  • Sales Rank: #384008 in Books
  • Brand: imusti
  • Published on: 1994-02-24
  • Released on: 1994-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.86" h x .34" w x 4.97" l, .23 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Faber & Faber

Review
"Brian Friel is undoubtedly one of the finest playwrights working in the English language today." --Daily Telegraph

"Of all contemporary authors, there is no one I admire more highly than Brian Friel." --Peter Brooke

About the Author
Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.

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1 of 1 people found the following review helpful.
Brian Friel; the Shakespeare of the modern day.
By David Seaman
"Philadelphia, Here I Come!" was Friel's first huge American hit and since then his other works have been awarded and performed all over North america. Most of Friel's plays take place near or around the fictional town of Balleybeg in Northern Ireland. this particular plkay is about a youbngman who is leaving the family and it;s business tomorrow to travel to America and join relatives in Philadelphia. His character is played by two actors, p0one who plays the man who speaksout loud and one who speaks his toughts and only to him. TYhis is a method of theatre that is sheer genuis and through it we are able to recognize the sort of interior conlicts we have with oiuselves. the story line is very moving while there are times with side splitting comdey.

Brian Friel is highly celebrated. his play "Dancing At Lughnasa" won all of the awards in the UK, moved to Broadway and won all of the words there. It transferred beautifullt to film with an all Irish cast with the exception of Meryl Streep= the only dialect actress whose performance is just as good in German as it is in English. His play "Faith Healer" is a completely different format but just as powerful and moving. Wkith "Philadelphia, Here I Come", we open the first page or enter the theatre and because of the title we ar expecting a particular sort of play- perhapos one of Lewis and Martin's "Road to' styles but we open to gray and dim Balleybeg and we are soon so very captivated that though the premise is intelligent (think of "The Newsroom", "Sports Night", or "Social Network" and there you have it.)

If you;re one who enjoys reading plays, this is one not to miss. It's not an acotrs edition, it;s designed for reading.

For those who don;t know, when creating a script for actors gthere should be as few stage or line directions as possible so that the actors can make choices on her own. Scripts printed for the public require stage directions for those peiple who have a hard time designing a set, light plot costumes and properties list as they read. This is the difference between an actors edition (usually published by Damuel French) and the pficial published version. This version is the latter.

I will not include any spikersm but will say that Friel has a remarkable talent for diualouge and character- they are remarkably believable- and he can take a single emotion of character flaw and develop it into a full evening of self discovery.

The Philadelphia in this play is not the Philadelphia of today. It represents new beginings- the city where broadway musicals tried out and Eugene Ormandy conducted the Philadelphia Orchestra. The state of New Jersey had not yet pulled the plug on Canden just over the Franklin Bridge so crime and druigs didn;t creep across during the night in the ghuise of gangs.

If David Crosby can call Bob Dylan the Shakespeare of song writers then i can certainly calkl Brian Friel toady''s stage Shakespeare. He is even better than Aaron Sorkin, for those of you who know television or film; Fril is the shakespeare of Mozart for those of you who are comfortable with art music. Ani DiFranco for indie music, Paul Simon for pop music and willy Wonka or Choclate.

Think it's with it? It is.

1 of 1 people found the following review helpful.
Of course
By John Gallagher
Of course this was Brian Friel's first big success. It should have been. It's about the mysteries of immigration, the loss of what's left behind, the hope of what's hoped and longed for, the inability to feel what you say and to say what you feel, love lost and given away, and how we are not what we seem, or even what we think we are. It's also about not really understanding all this and still doing something. And it's funny.

0 of 0 people found the following review helpful.
Two Stars
By Gerald A. Curtin
a fun little read, but then I'm from Philadelphia, so maybe only a fair read for others.............

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Jumat, 23 November 2012

[D808.Ebook] Free Ebook Feature Filmmaking at Used-Car Prices: Revised Edition, by Rick Schmidt

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Feature Filmmaking at Used-Car Prices: Revised Edition, by Rick Schmidt

For about $6,000 anyone with the right know-how--and this book--can write, produce, direct, film, edit, and promote a feature film. Step-by-step instructions, summary checklists, and lots of tips on how to save money support the filmmaker spiritually, aesthetically, and technically.

  • Sales Rank: #747855 in Books
  • Published on: 1995-08-01
  • Released on: 1995-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .85" w x 5.14" l,
  • Binding: Paperback
  • 400 pages

From Library Journal
Schmidt offers a complete guide to producing a low- or no-budget feature film. This 1988 original has been updated with a new chapter on digital technology, dealing with agents, and more. Thanks to the success of "indys" (independent films) such as Clerks and The Brothers McMullen and with the help of books like this, more budding filmmakers are shunning Hollywood and going it alone.
Copyright 1995 Reed Business Information, Inc.

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20 of 24 people found the following review helpful.
VERY DISAPPOINTING
By A Customer
Why do so many of the previous 5 star reviews include a plug for a future edition of this book or a direct reference to the author as a friend? Could it be they're less than truthful, or at least biased? In fact, this book is already outdated, and it's advice for making a feature film for less than $10,000 is ludicrous. If the author had added a "0" to the sensational title and dealt with REAL WORLD facts and tips about making such a film this could've been a good book. As it is, it's nearly useless because it has no connection to how to REALLY make a micro-budget movie (ie. video or gray market stock, credit cards, deferrals, etc.).

9 of 11 people found the following review helpful.
A good book for starting film novices.
By A Customer
Don't be fooled that after you follow this book, and make your "used car" budget film that you'll soon see it on the big screens everywhere. You'll end up with a first project on a journey of a long learning process. Is it better to spend the ten grand for school? Maybe. A lot can be said for taking that plunge into cold water and getting your feet wet. Although, some people want the prestige of a piece of paper from an institution. Most of the methods are sound, but the book is pretty much outdated for today's high tech world. Beginning filmmakers rarely shoot on film, but instead go for cheaper video. It's a less painful process. Especially for your pocketbook. It's a good book for student or hobby filmmakers. But please don't shoot a feature using this book as an example. Read it as inspiration.

3 of 3 people found the following review helpful.
(2000 edition)
By A Customer
This is pretty much the first book that I've read on the subject of filmmaking that was actually interesting. I even read the forward and the preface, which I usually skip in books. I bought the revised version (the 2000 version, at a bookstore, even though it says it's not published until June...?) and I found the websites and dv section to be very helpful. This is an extremely informative, as well as entertaining read, perfect for a newbie (like me).

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Rabu, 21 November 2012

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A Caricaturist's Handbook: How to Draw Caricatures and Master Exaggeration, by Jim van der Keyl

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A Caricaturist's Handbook: How to Draw Caricatures and Master Exaggeration, by Jim van der Keyl

Ever wonder how those artists can draw caricatures and get such a dead on likeness that often makes you howl with laughter or be amazed at the instant recognition of his subject? You may have seen them at theme parks or at conventions. Maybe you have seen their work in magazines and marveled at the ability to capture a likeness. If you are a budding artist or even an experienced artist that wants to dabble in caricature, this book is for you. Jim van der Keyl takes you behind the curtain of the creative process and breaks down the process in an almost scientific, engineering -like way that explains how a caricature artist approaches his victims, er uh-- subjects!!. This book covers proportions, shapes, visual techniques and theories, anatomy and procedure. Add this to your art library and get started drawing caricatures the way the professionals do today.

  • Sales Rank: #475646 in Books
  • Published on: 2010-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .30" w x 8.00" l, .70 pounds
  • Binding: Paperback
  • 124 pages

About the Author
Jim van der Keyl has been an animator for over 20 years and has wored for studios such as Dreamworks, Disney, Warner Bros and Blue Sky. He has also been a professional caricature artist for over 20 years working at theme parks such as Universal Studios, Hollywood, Six Flags Magic Mountain and at conventions and colleges throughout the US. He is a member of the International Society of Caricature Artists ( ISCA) Jim discovered caricatures in high school when he experimented drawing his teachers.. He was hooked on caricatures when his drawings received bouts of laughter and has been drawing them ever since.

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20 of 20 people found the following review helpful.
One of the best books I've read on the subject
By Robin Crowley
Jim's book is very professional and easy to follow, it teaches you different techniques to achieve the likeness and improve your caricature drawing skills. The book doesn't focus on one single method, but several ones, so that way you may choose which you like most and combine them to create amazing caricatures. I've been drawing caricatures for about 16 yrs. professionally and have drawn more than 10,000 faces by now, so I can tell you, this book is a must for your collection if you are serious in mastering the art of caricature.

9 of 9 people found the following review helpful.
Caricatures
By Michael J. Gorges
This book is one of the best on caricatures. I have been buying books about caricatures for over 30 years. Most of them have the common ideas on drawing caricatures. I think Jim Vander key, has more ideas on doing caricatures. I think this would be a great purchase if you are interested in learning how to draw caricatures, or want to improve on drawing caricatures.

8 of 8 people found the following review helpful.
Wanna be a Caricaturist? Try Jim van der Keyl
By Johnny Vines
A month ago I ordered and purchased the book A CARICATURIST'S HANDBOOK, I0I gag ideas,
also the 3 CD's,the ONE MINUTE CARICATURE, theFRONT VIEW,and EXAGGERATION and the
CREATIVE PROCESS by Mr. Jim van der Keyl and I can honestly, sincerely say that the money
was well worth it, My caricatures have unbelieveably improved,For anyone wanting to be a
Caricaturist or just doodle around with a pencil or pen,please try Jim van der Keyl. Jim presents the
information in his books and CD's in such a manner that even I sometimes, somewhat, a dummy
can comprehend. Jim, you are an outstanding artist,illustrator,caricaturist and last but not least a
wonderful instructor....Thanks Jim van der Keyl

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Kamis, 15 November 2012

[J263.Ebook] Free Ebook Unholy Trinity: How the Vatican's Nazi Networks Betrayed Western Intelligence to the Soviets

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Unholy Trinity: How the Vatican's Nazi Networks Betrayed Western Intelligence to the Soviets

  • Published on: 1600
  • Binding: Paperback

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Selasa, 13 November 2012

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The Nether: A Play, by Jennifer Haley

The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley’s play forces us to confront deeply disturbing questions about the boundaries of reality.

  • Sales Rank: #272107 in Books
  • Published on: 2014-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 88 pages

Review

“Like the hard-core radical voyeurs in Jennifer Haley’s terrific sci-fi play ‘The Nether,’ you won’t want to leave the Hideaway.”—Variety



“Tapping into the post-9/11 fears and discussion surrounding privacy and human rights, The Nether forces audiences to contemplate the consequences of these issues even in the most repellent cases.”—TheaterMania



“Big-budget theater rarely has this kind of hip factor and hardly ever addresses issues in cutting-edge technology with as much sophistication as we see here.”—LA Weekly

About the Author

Jennifer Haley won the 2012 Susan Smith Blackburn Prize for The Nether. The play’s premiere by the Center Theatre Group at the Kirk Douglas Theatre in Los Angeles won seven 2013 Ovation Awards, including Playwriting. Her other plays include Neighborhood 3: Requisition of Doom and Breadcrumbs. Her work has been developed at the Sundance Theatre Lab, The Eugene O’Neill Theater Center’s National Playwrights Conference, and Lark Play Development Center. She is a member of New Dramatists.

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5 of 5 people found the following review helpful.
Like a Nesting Doll, A Morality Play with Many Layers.
By Japonaliya
SPOILERS!!!!

This is a short play. About 75-80 minutes run time, and maybe an hour to read the play in book form.
The plot is well known so I will just make some observations. The main theme is similar to other plots that precede it, specifically the "thought police" of Orwell's 1984.

The question being, in a virtual world, does one's actions become "real" in the sense that the avatars are perceived as real?

Haley explores this moral dilemma using 2 provoking criteria, the murder and molesting of a prepubescent child who is only a computer generated being in the realm of the "Hideaway," a CG constructed being in the "Nether" or internet. The Hideaway is a virtual world set in Victorian or turn of the last century era.

Using the most vile and universally detested immoral acts, that being child sexual abuse, Haley tries to convey that a simple knee jerk reaction is not always the true answer.

There are 5 principle characters in the play, but in the end (giveaway) there really is only 3)

Sims, the creator of the Hideaway and it's God,

Iris, the prepubescent child prostitute,

Morris the police interrogator,

Doyle, a constant visitor to the Hideaway and a college prof. with a family, and

Woodnut, another visitor to the Hideaway.

But just as virtual reality is not what it seems, no matter how real it feels (and it's creator, tells us it IS about feelings not acts) you will find out later that the characters themselves are not who they portray themselves to be.

At first the dilemma Haley presents, does morality and punishment extend to our imaginations if indistinguishable from true reality, and can it be prosecuted as a crime?

This is all fine and dandy when the opposing sides have a clear (or almost) clear view of the circumstances, whether it is wrong and punishable to do anything that one wants to do if it is only the Hideaway and not the "in world"?

BUT...as the play ends, we are given a "twist", and one that is not only more thought provoking, but one that literally turns what we think about the events at hand on its heals!

As the play goes along, we have Sims who creates the Hideaway as a place where one can act out any fantasy no matter how immoral, because it isn't "real"

Morris, the interrogator has the position (I believe) that if one thinks that it is real, and technology makes it so (think holodeck on the Enterprise) and what one does even in cyberspace, is wrong and can punished for it.

I cannot help but think of our present day moral questions about real child pornography verses simulated, child porn that isn't real such as Japanese "Lolicon" or cartoons depicting sexualized children which IS illegal in many places, even though just drawings.

But we must remember that Haley is not using Iris the child prostitute as a gimmick. She explores the darkest recesses of humanity in the terms of a virtual abused child. Oddly, Iris herself is not at all unhappy. She is not, in her own mind abused in any way.

The twist ending somewhat clarifies that, but provides more food for thought as well.

SPOILERS!!

It turns out that Sims is the only true character, and it is his libertarian philosophy that drives the Hideaway.

Woodnut is in reality, the avatar of Inspector Morrris, who is trying to get evidence of "crimes" being committed against Iris, only to himself succumb to her child-like precocious charms.

The big surprise of course is Doyle...for he is actually Iris herself. Since you can be whoever you want to be in the Hideaway realm, Doyle chooses to be a seductive little girl.

This now explains why there were many Irises, and why they were ":banned" to boarding school in the Nether.

Sims knew that Iris was mostly men who chose to become a child, and even experience death and sex. Though not said in the play, I wonder if every time Iris is "killed" and resurrects, if she becomes just another vessel or avatar for the next "Doyle"?

One of the rules of the Nether is that one cannot fall in love or let Iris become emotionally attached. Sims tries to prevent his own falling in love with Iris precisely because he knows Iris is really not a child, but an adult male (in most cases) and "sends" her off to boarding school, where another Iris or child avatar with a clean emotional slate takes her place.

The undercurrent of homosexuality is now in question which further distorts the narrative as we have been led to believe.

And lets not forget the flip side. Morris is a woman police interrogator in the "in world", but her avatar is that of a man (Woodnut) a man who is seduced by a little girl who is really a man, and Woodcut is actually a woman!

So..is it an adult male who is "seduced" by a child prostitute, or is it an adult woman who is seduced by an adult male?

Haley seems to enjoy complicating the issues so that there are no easy answers.

Finally,

Sims, with his punishment of being banned forever from the Nether and his Hideaway, finally confronts his "love" for Iris which he could never bring himself to accept before...but was it love for a little girl, or another male adult? Haley does not elaborate.

Finally, when confronted with whether it is child abuse to "molest" a computer generated little girl, we now have to consider what if the little girl was not a little girl at all, but a computer generated child body inhabited by a grown man's mind?

Is the "computer being still a child when it is in reality a grown man? Is it the attraction by an adult to a child's body that we detest so much, or is it the fact of the child's mind being exposed to the abuse?

Consider in reality the moral quandary of a condition like Tanner's Syndrome, where an person does not go through puberty, but develops normally mentally, compared to a person who is an adult in body but has the mind of a child?

The law states that chronological age is the only factor that has legal standing assuming the person of "child-mind" does not fall into the threshold of gross mental deficiency.

So, is a man attracted to prepubescence evil if he has relations with a child's body but with an adult mind, or is he equally immoral to have relations with an adult body who has the mind of a child?

The Nether does not give us answers, only more questions. Technology will always pose a conundrum for legal scholars, and society when it tries to create moral boundaries.

This is the crux of the book, and as a instrument of producing thought provoking dilemmas to the complexities of the "real" world, as well as the ones we create...it does its job well.

1 of 1 people found the following review helpful.
Excellently disturbing!
By Prof. RShawntezJackson
Jennifer Haley take today technology and pushes the boundaries of what if. Be prepared to be shocked and awed, wowed & disturbed all at the same time. The Nether is meant to make you question how you feel about what constitutes treatment or therapy of urges not commonly accepted in society. Taking catfishing to a whole new level of uneasy.

0 of 0 people found the following review helpful.
Sickening. Fascinating. Intriguing. MINDBLOWING.
By Book Monster
Wow. This play was pretty insane, and it delved into a lot of darkness that many of us fear to traverse. Haley is masterful in weaving philosophy, morality, and existentialism into a cool sci-fi premise... but one that also has us squirming in a deep discomfort as it explores issues of pedophilia and grooming.

A delightful disruption that gets you thinking.

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Rabu, 07 November 2012

[L563.Ebook] PDF Ebook The New Urbanism: Toward an Architecture of Community, by Peter Katz

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The New Urbanism: Toward an Architecture of Community, by Peter Katz

The move to liveable communities--ideal ``small towns'' and neighborhoods where people work, live, play, and walk from place to place--is on. Profit from what a visionary group of architects leading this movement has learned about designing new ``small towns'' in Peter Katz's The New Urbanism. You'll discover the amazing potential for this kind of work as well as case studies, site plans, project analyses, and 180 beautiful photographs. This unique reference also tackles--and answers--the critical issues of crime, health, traffic, environmental degradation, and economic vitality and opens a startling window on the look and feel of future communities. Every designer can profit from this guide to building the utopias of tomorrow--today!

  • Sales Rank: #668902 in Books
  • Published on: 1993-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .99" w x 8.90" l, 2.82 pounds
  • Binding: Hardcover
  • 288 pages

From Library Journal
The New Urbanism is a movement that seeks to restore a civil realm to urban planning and a sense of place to our communities. It is a tangible response to the failed Modernist planning that has resulted in unchecked suburban sprawl, slavish dependence on the automobile, and the abandonment and decay of our cities. Katz, who heads a marketing and design firm, brings together in this informative and accessible book the voices and case studies of the young architects and planners who practice the New Urbanism--Peter Calthorpe, Andres Duany, and Elizabeth Plater-Zyberk, among them. They gear their designs to the scale of the pedestrian and seek to promote a symbiotic relationship between urban development and public transportation. An often published example of this movement is the community of Seaside, Florida. Extensively illustrated with plans, diagrams, and color photographs and renderings, this highly instructive book is a must for architecture and urban planning collections, and suitable for general readers.
- Thomas P.R. Nugent, New York
Copyright 1993 Reed Business Information, Inc.

Review
. . .informative and accessible. . .the highly instructive book is a must for architecture and urban planning collections, and suitable for the general reader.''

From the Back Cover
"A growing movement to replace charmless suburban sprawl with civilized, familiar places that people love." So wrote Time Magazine in a recent article about Andres Duany, Elizabeth Plater-Zyberk and Peter Calthorpe, leaders of the dynamic urban design revolution coming to be known as the New Urbanism. Their breakthrough planning conceptspropose a vision of the future that combines the best of the past with the realities and modern conveniences of today.

Part of a broader trend toward the restoration of community and concern for a more sustainable environment, the New Urbanism addresses many of the crucial issues of our time: the decline of America's cities, the rebuilding of its crumbling infrastructure, housing affordability, crime and traffic congestion. Not without controversy, the proponents of this new design approach suggest bold alternatives to the present sprawl and isolation that they see as the consequence of five decadesof poorly planned suburban growth. Like the successful older neighborhoods and small towns where many of us grew up, the designs of the New Urbanism integrate housing, shops, workplaces, parks and civil facilities into close-knit communities that are both charming and functional. Walkability is key, but cars aren't excluded.

Public places lie at the heart of these designs which set aside their most valued sites for parks, schools, churches, meeting halls and other civic uses. Affordability is also an important consideration--a wide range from Seaside, the acclaimed new resort town in Florida's panhandle, to a revitalization plan for the deteriorating core ofdowntown Los Angeles. Also included is a mobile-home village in Arizona (cited by Progressive Architecture in its annual design awards), the rebuilding of the nation's largest "urban renewal" housing project in Texas and a "sustainable community" for 12,000 in British Columbia.

Initiated by developers, government agencies and/orcitizen advocacy groups, these pioneering new communities and infill projects offer simple yet compelling solutions to many frequently encountered planning problems. The extensively documented case studies in this book include photographs, drawings, diagrams and urban design codes--more than 500 images in all, a majority of which are in color. Essays by the movement's leading practitioners clearly articulate the principles of the New Urbanism. Commentaries by prominent architecture and urban planning theorists complete this comprehensive publication.

The New Urbanism advocates an ambitious yet pragmatic agenda for the building and rebuilding of our neighborhoods, towns and cities. This book provides an invaluable guide to this emerging movement forarchitects, urban planners, civic leaders and concerned citizens; it is also must reading for anyone who cares about the future of America's communities.

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21 of 22 people found the following review helpful.
Milestone book quickly becoming coffee-table classic
By A Customer
In the first half of the 1990s, this book culminated the beginning of the most influential postwar stream of thought about American cities and city life, New Urbanism. It was intended to be the coffee-table conversation starter for suburban yups feeling just uncomfortable enough with their time-stressed lives to admit that, yes, their street is bleak, their house a cartoon, their strip-malled "planned community" a joke.
By starting the national conversation, the book has succeeded spectacularly, and continues to serve the purpose. With solid, workmanlike graphic design, it shows the way forward by depicting and decoding a handful of places both designed and built as successful alternatives to suburban sprawl.
Behind the scenes, the book became the flagpole around which a genuinely new intellectual movement rallied. At the time of publication, several of these projects were just on the drawing board. Today, only a few years later, over 150 such projects are blooming nationwide. New Urbanism today is the organizing question in the serious architecture and planning schools, in the development community, and in land-use "smart growth" politics. Developers are either running scared of it, or ripping it off, or putting big money into it. New Urbanism is a powerful set of ideas, and you can find them all here. This is the book that focused the disparate efforts of a score of highly talented, individualistic practitioners into a coherent beam. This is the book with the irrefutable visual argument in favor of building good places to live.
It is good, then, that the book's examples have been outrun. The book appears now almost quaint to those who, on the front lines of the land-use wars, have internalized New Urbanism's basic principles. The book is silent on, for example, the practical, tough, messy, political imperatives needed to reverse a half-century of mad sprawl. Reading "The New Urbanism", one would conclude that healthy places to live are bestowed as if by magic from the brow of one or another luminary planner. A second edition, incorporating successes and lessons learned, will be needed soon. The Playa Vista example in particular appears likely to vanish embarrassingly from the drawing board into the thin air where good ideas go.
However, the basic visual argument remains solid, almost timeless. I use the book constantly to introduce new allies to the cause and to silence critics. I recommend it to anybody interested in America's lousy excuses for cities, which are, after all, our civilization itself.

27 of 33 people found the following review helpful.
New Urbanism: This is how/where I want to live
By A Customer
The basic principles presented in this book are the stuff that dreams are made of. I have shared the ideas presented in this book with many of my friends and they all want to live in communities such as this. We've been strip-malled, mega-malled and automobilized to near-death. New Urbanism as presented here is like a million breaths of fresh air.
It is best to read the basic principles presented in the front of the book first. It may look like dry reading at first but as you get into it, your interest will be piqued at first, then grabbed, and you won't want to put it down till you've read it all. Having read this part you will be armed with the knowledge that, to date, no development or developer has had the guts to follow the principles completely. All of the projects presented include some elements of New Urbanism but none of them have it right. One of the other customer reviewers of this book, Ken Wing, missed this entirely. Hey Ken, there is no people in the Seaside pictures because they want the reader to see the architecture! Those who don't get it, or are afraid of change, tend to trivialze New Urbanism and mis-represent it.
Once you have read this book, you, like myself will want to immediately pack up and move to a New Urbanist community. Better ones are coming out of the ground each year and I hope to see one near me real soon.

28 of 37 people found the following review helpful.
Every library in the country should have this book!
By Jeff C. Goolsby
I have only had the book a day and already it has given me great pleasure and joy. I love the fantastic pictures and diagrams. The computer digitalizations on a few existing towns today and what they could be like were truely fasinating. I couldn't help not liking the indepth descriptions of numourous cities, towns, and villages from around the country and canada as well. This book had colorful photos and diagrams, this book to me is pure genus!

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Sabtu, 03 November 2012

[E331.Ebook] Download PDF Cloud Computing - Assessing the Risks

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Cloud Computing - Assessing the Risks

  • Published on: 1709
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Kamis, 01 November 2012

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  • Published on: 2009-03-19
  • Binding: Paperback

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Drama, fiction.

  • Sales Rank: #795174 in eBooks
  • Published on: 2011-12-15
  • Released on: 2011-12-15
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Great book.
By Sonia, NY
This book will make you laugh, it will make you cry and even angry at times, but I could not put the book down, actually read it in 2 days. Can't wait for book 2 to come out.

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A Must Read!!!
By Ms KeshiaB
The reason I'm giving 5stars is because ,I really enjoyed this book! I continued reading every chance I could get, (at work on break, at the gym,at bingo and whenever I had a chance.As I read I laughed, I cried and I actually felt some of the PAIN You will definitely not be disappointed.
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Loyalty
By Andrea
A very intriguing story about loyalty, sacrifice, friendship and family given from a prospective of a person triumphing over their own interpersonal issues of abandonment...looking forward to the continuation...good read

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