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Predator Cities #1: Mortal Engines (Predator Citites), by Philip Reeve
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Welcome to the astounding world of Predator Cities!
London is hunting again. Emerging from its hiding place in the hills, the great Traction City is chasing a terrified little town across the wastelands. Soon, London will feed.
In the attack, Tom Natsworthy is flung from the speeding city with a murderous scar-faced girl. They must run for their lives through the wreckage--and face a terrifying new weapon that threatens the future of the world.
Beloved storyteller Philip Reeve creates a brilliant new world in the Predator Cities series, called "phenomenal...violent and romantic, action-packed and contemplative, funny and frightening" by the Sunday Times.
- Sales Rank: #762856 in Books
- Published on: 2012-06-01
- Original language: English
- Number of items: 1
- Dimensions: .70" h x 5.20" w x 8.00" l, .60 pounds
- Binding: Paperback
- 320 pages
Review
Praise for Mortal Engines
"A page-turner, this adventure in a city-eat-city world will have readers eagerly suspending disbelief to follow the twists and turns of the imaginative plot." - Booklist
*"Exciting and visually descriptive." - School Library Journal, starred review
Praise for the Mortal Engines Quartet
*"Reeve's [Mortal Engines Quartet] remains a landmark of visionary... imagination." - School Library Journal, starred review (from review of Fever Crumb)
Praise for Fever Crumb
*"Reeve's captivating flights of imagination play as vital a role in the story as his endearing heroine, hissworthy villains, and nifty array of supporting characters." - Booklist, starred review
*"Beautifully written, grippingly paced, and filled with eccentric characters and bizarre inventions... this is a novel guaranteed to please Reeve's fans-and very likely broaden their ranks." - Publishers Weekly, starred review
About the Author
Philip Reeve is the bestselling author of the Predator Cities quartet and the award-winning Fever Crumb series. His other books include the highly acclaimed HERE LIES ARTHUR and NO SUCH THING AS DRAGONS. He lives in Dartmoor, England with his wife and son. Visit him online at philip-reeve.com.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Utterly spellbinding!
By Sarah McIntyre
"It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea.'
With these opening words, master storyteller Philip Reeve transports the reader to a dusty, oily world in the distant future. Here, crimson-coloured airships circle the large, many-tiered cities which tear across a ravaged landscape to eat up smaller cities, cannibalise them for parts and take their residents as slaves to work the cities giant engines. If you've ever been to the wilds of Dartmoor in England, where Reeve lives, you'll recognise place names that pop up in the stories, such as the surname of the main character, Tom Natsworthy. And the fierce Hester Shaw is unforgettable, with her ravaged face, mangled and scarred from being sliced nearly in half from an attack in her childhood for which she seeks vengeance.
I envy you if you've never read these, you have an amazing four books ahead of you: Mortal Engines, Predator's Gold, Infernal Devices, and A Darkling Plain. (Reeve packs a powerful punch in that fourth book.) But then there are three prequels which are also unmissable: Fever Crumb, A Web of Air, and Scrivener's Moon. I was amazed how he made me care so much for his Stalker character, a reanimated robot-like corpse who appears throughout the seven books, who raises the strange Hester child and who has memories which occasionally resurface from his human life. Get started with either Mortal Engines or Fever Crumb right away: once you get stuck into the strange and wonderful world of Reeve, you'll never want to leave.
5 of 6 people found the following review helpful.
Fantastic Concept, So-so Execution, and not really steampunk
By Brummbar7
I first would say the concept behind this book is fantastic! The overarching setting of a Europe decimated by mobile tracked cities who hunt each other (necessitated in the distant past for reasons not entirely explained) is original and exciting. The cities have a heirarchy/ecology, from huge predator cities to scavenger suburbs and mining towns. Reeve gives us two protagonists deeply flawed each in their own way, and that kept me interested, waiting to see how they each grow and advance. The story is not particularly original, but the setting more than makes up for it for me. It's great fun to watch the world unfold.
My major problems with this book lie with the details, and lack of realism in many of the technical aspects. I was willing to suspend my disbelief of the notion of giant rolling cities - I knew what I was getting into in that regard before I bought the books - but I think Reeve doesn't have the best grasp of scale or physics, and some of his descriptions of the cities do not match well with dimensions that he gives, and the alleged populations. I think these things are important to help bring realism to an inherently unreal basic concept like gigantic moving cities.
Some patently absurd notions such as 'armored airships' also pop up. The world is also somewhat of a mish-mash of archaic technologies mixed with advanced 'old tech' that the cities scavenge from the ruins of the ancient and more advanced civilizations. They can somehow get this old tech working, yet they appear to have a tenuous grasp of radio and other basic technologies. The combat is not particularly inspiring: cities and ships seem to fight with nothing but rockets for the most part, and at times I wondered if Reeve actually knew what a rocket was, or if that was a catch-all term for weapons that shoot things. Overall I feel like Reeve did not bother himself overmuch with research. And that's probably fine with the target audience if that audience is teens. But if you're a detail/realism oriented person, do not expect that from this book or its sequels.
Another aspect of the book I disliked was the character names, which bordered on farcical in most cases. It seems every person must have a first or last name that is just totally bizarre and in many cases laughable. For a world that seems like it should be gritty and dystopian, the naming made it seem cartoonish to me in many cases.
And finally, one of the main reasons I got this book was that it was billed as steampunk. I would disagree with this characterization. If you removed the airships from the story, there would be virtually nothing to distinguish the book as steampunk. I suppose it could be imagined that way, but Reeves' lack of technical vigor leaves it open to interpretation I'd say. It could be Steampunk OR Dieselpunk, depending on the reader's imagination. I consider attention to detail as a hallmark of much of steampunk, and so I was disappointed when this book did not live up to that aspect.
All that said, still a good book and worth the read (as are the sequels), due to the very original concept. I felt the ending of the fourth book was a good way to end the series. I have not read the prequels yet as of this review.
2 of 2 people found the following review helpful.
Bought for my son but I ended up reading it
By Juliet
I bought this for my son. I'm trying to get him interested in fiction along with his love for science and math books. I'm the one that ended up reading this. I'll be getting the sequel. Hopefully I can get my boy interested, but if not, I'm hooked.
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